1. One hero on a single linear chronological journey towards redemption
Am I mad? How can I possibly say there are six main families of structures, with 18 different sub categories and hybrids forming all the time? People are sometimes skeptical about this, indeed sometimes get a bit cross about it. Personally I’d say that what is really odd is the idea there is only one type of storytelling structure in screenwriting. Why should screenwriting be the only form of human endeavor that can be done in only one rigid way (although actually it demonstrably isn’t)? Just as a bit of fun, let’s look at a few other art forms, other forms of creative structure. Here, off the top of my head and in absolutely no order at all, is my layperson’s examples of main categories in these spheres (not even counting sub categories and hybrids), about which I think a person in the relevant profession would need to possess some awareness. Read these and then consider whether suggesting that there is only one form of structure for telling a story seems likely or sensible. Would you go to a music school that forced you to write only jazz? Or an architecture school that insisted there was only one design for a domestic dwelling? In short, in screenwriting as in all spheres of human activity there is more than one way to skin a cat. My thanks to Wikipedia (which will give you many more than I have listed here) and best wishes for your next trivia night. Apologies to all cats for any offense caused. I agree that it is a barbaric expression. No animals were hurt during the creation of this post...
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Linda is a screenwriter, novelist and playwright. As well as teaching and mentoring writers around the world, she regularly consults on screenplays at the highest level in the US, UK and Australia.